Thursday, August 05, 2021

Creating and visiting the Chosun Hotel's Tomorrow go-go club in 1971

For my latest Korea Times article, I’ve revisited The Tomorrow go-go club, or discotheque, that opened in the basement of the Chosun Hotel in January 1971. Whereas I had previously written about the development of go-go clubs in 1970, and referred to a March 21, 1971 Korea Times article about Tomorrow and the culture surrounding it (which got criticized as “un-Korean”), this time I refer to a full-page ad taken out in the Korea Times the day before it opened, as well as a column I'd never seen before published a few days later by former RAS member Barbara Mintz, who described the club in great detail. 

One of the things that perplexed me was trying to figure out who "Joe Policy" and his "Group III" were. The full page ad refers to him a number of times as the designer of the club, and I eventually found someone online with the same name connected to a "Group II," but efforts to contact him came to naught. I mentioned this to Coco Cugat, who, along with her husband, runs the Yongsan Legacy site, and she asked me if I'd seen a post there by architect Nam Sang-so, who described how he helped design and build the club. I know Mr. Nam, and was happily surprised to find he had been involved, and emailed him for more details. As his article notes, he was helped by AFKN DJs (his email clarified that there was a group of them), so this must be where Joe Policy came from. 

The weekly magazines and some newspapers published photos of Tomorrow. For example, here are the "Revolution Children" from Hong Kong, who performed selections of the musical "Hair" (one imagines not the nude parts) for lunchtime patrons of Tomorrow (I have my own library of Korea Times scans from microfilm, but Jon Dunbar helpfully took photos of the actual paper):

From the Korea Times, January 1, 1971.

The Filipino band Wild Five:

From the Korea Times, January 1, 1971.

The Wild Five had been playing in Seoul (and Japan) for some time. Here's a photo of them performing from Sunday Seoul, August 16, 1970. The caption notes that they were performing on contract with the Chosun Hotel from June to September, and that they took part in the Playboy Cup, the large-scale, annual battle of the bands competition:

Chosun Hotel ad From the Korea Times, March 17, 1971; note the reference to Tomorrow:

Here's an ad for Tomorrow from Sunday Seoul, November 28, 1971:

Below is the text of Barbara Mintz's January 10, 1971 column, about her visit to Tomorrow, with photos of Tomorrow included. Every photo I’ve seen of Tomorrow has been in black and white, except for three photos I've shared below, which feature a fashion shoot at Tomorrow that appeared in the March 3,1971 issue of the Weekly Kyunghyang. 

Barbara R. Mintz 

Now Seoul swings! Even if it doesn't do it exactly like a pendulum does, the city now can boast a new plush place calculated to attract those in Seoul who swing to international rock or those who want to keep an eye on the contemporary scene. The place? The Chosun Hotel’s new Tomorrow discotheque.

Recipients of invitations to attend one of the several “official” openings the new club seems to have had, my husband and I happily donned our discotheque clothes and showed up at the new club's entrance in the basement of the hotel promptly at 8 pm. My husband's discotheque clothes, by the way, look suspiciously like the same old suit he wears to the office. Ah me. Definitely over 30.

Entering Tomorrow is an experience in red - from the carpets the [that] undulates under foot to the equally undulating inflated plastic walls and ceiling. One of our group compared walking down this entranceway to sliding down a gigantic red throat. Prepare to be swallowed by Tomorrow appears to be the message.

From the Korea Times, March 21, 1971.

This appears to be the 'red entrance' of the club, from the Weekly Kyunghyang, March 3, 1971.

The room itself is large - seating capacity 350 - and divided into three seating areas: the usual small nightclub tables surrounded the dance floor; banquettes covered in black leather with armrests for ashtrays and drinks rise in tiers facing the bandstand;  and to the right a special VIP section of small round tables each on its own circular raised platform covered in foam rubber and carpet so that one must remove one’s shoes (hiding them in the shoe box that folds out from the base of the platform), step up and then sink gracefully down on the foam rubber.

These round tables are most comfortable to sit at, each having its own padded backrest and hanging Tiffany-style lamp for illumination. Each of these tables is named after a member of the hotel's managerial staff. 

This must be the above mentioned round tables with the Tiffany-style lamps. From the Weekly Kyunghyang, March 3, 1971.

The 8 by 12 meter dance floor, elevated one step up, is made, I'm told, of polished copper (the largest such in the world, says the ad) that shines under the lights. The first actual shock you'll probably get on entering Tomorrow is the sight of the waitresses. Their costumes are silver culottes with black long-sleeve tops, shiny black boots, and platinum pageboy wigs - with bangs!

From the Korea Times, January 1, 1971.

All this, including the waitresses’ costumes, is decor, but what's of most interest is of course the action. There's plenty of that. First, the bands. We heard two of them, both groups of young Filipinos, one called the House Rockers and the other called The Wild Five. None of them looks old enough to have graduated from high school, but their sound is authentic.

The House Rockers certainly live up to their name - it's electronically amplified loud rock. We began to see why Tomorrow is thoughtfully located in a corner of the basement.

A band playing at Tomorrow. From Sunday Seoul, February 7, 1971.

From the Korea Times, March 21, 1971.

The Wild Five, somewhat harder in drive, were nevertheless considerate enough to play a series of fox-trots (remember what a fox-trot is?) for us aged ones. I actually got my husband out onto that copper dance floor!

From the Korea Times, March 21, 1971.

Second, the lighting effects. Hooked into the music is a color organ that pulses abstract designs onto the walls in rhythm to the beat of the drum. Alternating with the color organ, an oil projector paints fascinating kaleidoscopic designs on the walls. I can't quite remember all the lighting arrangements (or even all the decoration), but the most spectacular is the flickering of the ten strobe lights that go into action at critical (loudest?) moments in the music.

The only colour photo of the stage I've ever seen. From the Weekly Kyunghyang, March 3, 1971.

The strobes make all the live people on and around the dance floor it look as if they were in an old-time, turn-of-the-century movie. A curious flashback to the past in Tomorrowland. Mercifully, the strobe effect did not reach back to those of us perched under our Tiffany lamps.

Third, the people - fantastic. I had wanted to know what one wears to a discotheque having never been to one before. I found out that one wears what one wants to wear. Women's clothes ranged from chima-chogori to micro minis with tight over-the-knee boots to ordinary cocktail dresses to evening pants suits with accompanying long brocade coats to blue jeans.

Some of the male attire has to be seen to be believed. The only time I didn't see was formal Dinner dress, but perhaps we simply didn't stay long enough. Such a variety is fun to see. I, for one, am enjoying this period of fashionable anarchy for both male and female dress. 

From the Korea Times, March 21, 1971.

Does Seoul monopolize the beautiful young women in Korea? Certainly some of the ones we saw are stunners - both Korean and foreign. That in itself is probably sufficient attraction for the man interested in just sitting and enjoying the passing scene.

Naturally, all these people were busy dancing - jiggling and gyrating to the loud rhythm. The jigglers and the gyrators are fun to watch. Each has his own style: there's the elegant jiggler, the happy, carefree jiggler, dead serious jiggler, the sexy jiggler, the nonchalant jiggler. I haven't exhausted the types, merely my supply of adjectives.

Dancers at Tomorrow. From a Chosun Ilbo article titled "Shaking the Night," March 14, 1971. The caption reads, "Midnight's rapture: Gogo-ers who don't know how deep into the night it is due to the rhythm and noise. (T Hall)"

If you want to be a member of the swinging Seoul set (it’s not your age, it's your spirit that counts), the only place to be these days is in the Tomorrow Club.

* * * * *

Mintz provides a description of the club that I haven't found anywhere else, in Korean or English. As my earlier article noted, the Korea Times (like other papers), described the culture surrounding go-go clubs in mostly disapproving tones, and the government soon acted to try to end the all-night revelry.

Tuesday, August 03, 2021

Revisiting Bucheon

On Sunday, I visited Bucheon for the first time in 7 years so I could visit a friend and former coworker. Bucheon was where I first lived in Korea when I arrived 20 years ago (and I wrote a bit about its history up to the 1980s here). I had been struck by certain changes the last time I visited, but it was even more stark this time around. When I first arrived in Bucheon, the Jung-dong New City was still relatively new - the apartments had mostly been built between 1993 and 1995, but a few complexes were finished as late as 1997, making them just four years old when I arrived. A 1 km-long stretch of the main street, Gilju-ro, where subway Line 7 runs now, had vast swaths of empty space on either side when I first arrived. At that time, the north side had only four buildings, and when I left two years later, there were only 4 spaces left. In the meantime, a large section of Sang-dong, to the west, went from empty space to an area full of officetels and shopping complexes in that same time period, which astonished me at the time. In the time since I left, tall officetels have gone up in many places in that area, but on this latest visit, there were two large 50-story apartment complexes, one finished, and one being built, which stood to the east of City Hall, where the old one-story bus station used to be:

The view of them from a side street:

My friend and I walked over to where I used to live, where I knew, if the security guards weren't around, we could get up to the 25th floor stairwell and look out the window, where I took this photo in August 2001.

We had no trouble getting in, so here is the exact same view today. It's incredible that in 2001 City Hall, in the center, dominated the view. The same is not true today:

Here is the uncropped view:

What an unbalanced monstrosity those tall apartments are.

From the same height, looking north. Off to the left and north - surrounding the shorter apartments of Jung-dong New City, are a handful of taller apartments built in the last decade; otherwise the view hasn't changed that much. 

My friend noted that in the gap in the apartments where you can see the horizon Gaehwasan and Gimpo Airport - our old neighbourhood - are visible:

We then walked out onto a path between the apartment complexes and took in what had surprised me during my last visit seven years ago - the canopy formed by the tall trees.

Here's the same view from March 2001. Though it's winter, the trees are quite obviously much smaller, having only been planted there eight years earlier, at most. Note that despite all the changes to the sidewalk, curbs, and gardens, the same street light is still there.

For over a year after I arrived, there was a massive construction project that was a mass of red steel girders forming the framework for two buildings. The rumor was that the owner of the construction company had been caught by his wife cheating on her, and the divorce had reduced the amount of capital available to him, stalling the project. I have no idea if that's true or not. 

In the summer of 2002, construction began once again, and it was eventually turned into a Hyundai Department Store. 

By that point, an empty lot across the street from it had been turned into what is now Emart, but was originally Walmart (under construction below in December 2001).

Present-day Emart and Hyundai Department store, with a new officetel on the right:

And looking east from the same spot stands a wall of 5-story buildings on the left that were mostly absent when arrived and mostly finished when I left Bucheon, as well as, off in the distance, new apartments being built on the site of what was originally Carre Four, then Homever, then Home Plus. On the right, beyond the massive apartment towers, is a row of officetels that was empty space when I left in 2003. Where the apartment towers now stand was an 'Edison Museum' which stood in a one-or-two-story building for a year or so when I first arrived - an odd thing to find in the neighbourhood. 

As always, the only constant is change, particularly in a 30-year-old Korean new city.

Tuesday, July 06, 2021

The exile and return of Korea's royal family

On May 12 I was shocked to find out that Peter Bartholomew had passed away suddenly. I'd known Peter for over a decade through the Royal Asiatic Society. He first came to Korea in 1968 as part of the Peace Corps’ K-5 group, and was sent out to Gangneung to teach English. As related in Andrew Salmon’s obituary,
Perched on a heavy delivery bicycle he took to touring the backroads during his time off. On one of these trips, he came across a compound of traditional buildings — and decided to enter.

Inside, he chatted with an old woman who he assumed to be a groundkeeper or gardener. The two hit it off.

When she heard of the rough digs Bartholomew was living in, she insisted he move into her compound. She turned out to be an aristocrat connected to the royal family and the owner of the palatial, three-century-old manse, Seongyojang.

Bartholomew took up residence in a fairytale location: A traditional pavilion/home perched over a water-lily pond. For decades after, he would recall the magic of those days.
It was through this family that he met members of the royal family in Seoul and befriended a number of them. (He also told me an amusing story of how the women who owned the estate would go to Seoul every month and buy gold to hide under her floorboards, and she trusted him so much that before she died, she showed him the location of her gold stash, and told him not to reveal its location until her eldest son died, because she knew that he would waste it all. He kept his promise.)

During a phone conversation back in January, Peter and I discussed Korea's royal family, and he shared with me some files containing a wealth of information about them. This prompted me to do some digging and find articles about the return of the royal family from exile in 1962 and 1963. This became the basis of the Korea Times article I wrote that was published today.

To both recap and expand on what I wrote in the article, King, later Emperor, Gojong had four children who lived to adulthood: Sunjong, who was placed on the throne early, against Gojong’s will, in 1907, and who lived in Changdeok Palace. As Peter described it, after 1910 the royal family reigned as monarchs in name only and totally ceased to be rulers of Korea. Sunjong died in 1926, leaving his widow, Queen Yun, behind, and she moved into the Nakseonjae compound, where she lived in a new, modernized building, built in 1927, called Seohanggak. As this article from two years ago pointed out, it was she who hosted Royal Asiatic Society for tea there in 1959, starting the tradition of the RAS garden party. It also seems she was a rather tough woman; after her husband’s death,
Queen Yun continued to live in the palace, with her ladies-in-waiting, having had no children. Staying there during the 1950 invasion by the communists, it is said a military squad invaded the palace, but withdrew when the queen rebuked them. As Seoul became devastated by the war, she was forced to retreat to Busan. The stories say she went on foot.
Yi Gang, Gojong’s second son, did not become a Crown Prince due to his mother's status. He had no children with his wife but had 22 children with concubines. In 1917 his second son, Yi U, was posthumously adopted by his father’s cousin, Prince Yeongseon, and inherited Unhyeon Palace, which had been the Taewongun’s estate before (and after) his son Gojong was chosen to be king. Yi U was taken to Japan at the age of five to be educated and became an officer in the Japanese Army. He was killed by the atomic bomb in Hiroshima in 1945. His wife, Park Chan-ju, inherited Unhyeon Palace and continued to live there until 1993, when she sold the palace to the city of Seoul, which opened it to the public. (Because it had been privately owned by the Taewongun and passed down to his heirs, it was not considered Royal Property, and hence the national government did not take possession of it after liberation.) Another son of Yi Gang, Yi Su-gil, appears in photos below.

Gojong’s third son, Yi Eun, who became the Crown Prince, was taken to Japan as a child to be Japanized and married to a Japanese princess (Masako, or Bang-ja in Korean), and only returned on a handful of visits (he wasn’t allowed to go home for his mother’s funeral) before his final return to Korea as an invalid. 

Equally sad was the story of Princess Deokhye, who was doted on by Gojong (she was only seven when he died) and taken to Japan in 1925 to be Japanized and married off to a Japanese prince. Unlike Yi Eun and Yi Bang-ja’s marriage, hers was an unhappy one, and she suffered from mental illness. 

Peter sent me this photo, taken from this page, and described the “amusing vignette” found in the photo:
Notice that 12 or 13 year-old Princess Yi Tŏk Hye (in court dress) is at the top of this stairs and afraid to step down, as the mat “runner” (covering stairs and open area below) has slipped down stretching the mat out at an angle across the stair and no longer covering it in a flat, secure manner. A lady on her left is reaching out to steady her while waiting for someone on the left who appears to be stepping down to ‘straighten out’ the runner for the little Princess.

As conveyed in my article, the former royals lost their status after Japan's defeat in WWII, and Syngman Rhee refused to allow them to return to Korea. They became Japanese nationals, and Yi Eun and Yi Bang-ja (Masako)'s son, Yi Gu, studied in the US, became an architect, and married Julia Mullock, an American woman. Yi Eun suffered a stroke in 1961 that left him increasingly unaware of his surroundings. It wasn't until that year, when Park Chung-hee came to power in a coup, that they were invited to return home. Curious about their return to Korea, I looked through newspapers and found the following photos and information:

1962.01.26 Princess Deok-hye's arrival at Gimpo airport (from here, where more photos from her childhood can be seen):

Princess Deok-hye arrived at Nakseonjae and visited Queen Yun before being taken to SNU Hospital.

1962.01.30 Princess Deok-hye was visited by Yuk Yeong-su, Park Chung-hee’s wife, at SNU Hospital.

1962.02.08 Princess Deok-hye recovered her Korean nationality.

On February 8, the Ministry of Justice announced that Yi Deok-hye had recovered her Korean nationality. According to the (then) Nationality Law, Article 14, Paragraph 1, when someone who has lost Korean nationality has an address in Korea, they can restore their Korean Nationality with the permission of the Justice Minister.

A day earlier, the Donga Ilbo reported that On January 16, ahead of Deok-hye’s return, Park Chan-ju, owner of Unhyeon Palace and widow of Yi U, who was killed in Hiroshima, went to Japan and met with Yi Eun and received from him the documents that he wanted to submit to reclaim his Korean citizenship. She brought them back to Korea and on February 6 Unhyeon Palace manager Kim Taek-su submitted them to the Ministry of Justice on Yi Eun’s behalf.

1962.04.10 Princess Deok-hye began receiving a monthly stipend from Korean government.

On March 28, the Standing Committee of the Supreme Council for National Reconstruction decided to revise the Former Imperial Family Property Law so she could receive living expenses from the government.

On April 10, 1962, the Former Imperial Family Property Law was amended to include, in Article 4, paragraph 2, Yi Deokhye as a member of the Former Imperial Family who would have living expenses paid for, effective immediately.

The Former Imperial Family Property Law (구황실재산법) was first promulgated 1954.9.23 and revised 1961.10.17 when article 4 added these specific names to Article 4 – who would get the monthly expenses covered:

1. 낙선제 윤씨(純宗의 夫人) (순종의 부인) [Queen Yun]
2. 삼축당 김씨(高宗의 夫人) (고종의 부인) [Lady Kim, a concubine of Gojong's]
3. 광화당 리씨(高宗의 夫人) (고종의 부인)  [Lady Ri, a concubine of Gojong's]
4. 사동궁 김씨(李堈의 夫人) (이강의 부인) [Lady Kim, widow of Yi Gang]
5. 리은과 그 배우자 [Yi Eun and spouse]

Number 5 makes clear that as early as October 1961, the way was paved legally for Yi Eun and Yi Bang-ja to have their expenses covered. This is interesting considering that they were not yet living in Korea nor were they citizens. 
It was then revised 1962.4.10, as noted above, to include “6. 리덕혜(高宗의 女)” [Yi Deok-hye]. Then the 구황실재산법 was abolished on 1963.2.9, and it was replaced by the 구황실재산관리특별회계법 [Former Imperial Family Property Management Special Accounting Law] promulgated 1963. 2. 26.

Princess Masako (Yi Bang-ja)’s June 1962 visit to Korea

1962.3.21 It was announced that plans to bring Yi Eun to Korea were on hold since he was sick, so Yi Bang-ja planed to visit Korea in April to solve their nationality problem. An article about this speaks of the efforts General Park had made on their behalf. (The visit was postponed to mid-June, 1962.)

Here we see Nakseonjae in Changdeok Palace being prepared for her visit.

1962.06.14 Princess Masako arrived in Korea, was greeted by Yi Su-gil (son of Yi Gang), and was taken to Nakseonjae, where she was greeted by Palace staff. One assumes the reception took place in the modern Seohaenggak building. This was her first visit to Korea since 1943.

(From here.)

(These two photos were sent to me by Peter; I'm not sure of their source.) [Update: JiHoon Suk tells me "they are official photos published by the government and the originals are held at the National Archives."]

She noted the various kindnesses Park extended to her, though Park told her that her husband couldn’t be given citizenship until he landed on Korean soil. As soon as he was at the airport, however, he could receive it immediately, and the government would make it as convenient as possible. 

She also visited the justice and foreign ministries, and stopped in at the Blue House to visit Yuk Yeong-su.

(The photo below was sent to me by Peter; I'm not sure of its source.)

During her time in Seoul she also visited the tombs of Kings Gojong and Sunjong and visited Jongmyo, as seen in the photo below:

On June 19 she left Korea and returned to Japan. According to her autobiography, a change in the law in the November allowed her to obtain citizenship for her husband without him being in the country; she visited briefly in December 1962 to pick up the documents.

1963.06.19 Prince Yi Gu Visited Korea for the first Time with his wife, Julia. 

(Kyunghyang Shinmun, June 19, 1963)

(Donga Ilbo, June 19, 1963)

They were taken first to visit Queen Yun at Nakseondae. They also visited Yi Su-gil and Park Chan-ju.

(Korea Times, June 13, 1971)
(From here.)

(From here.)

1963.06.20 - They visited with Park Chung-hee at the Blue House, went to Gojong and Sunjong’s tombs, visited Chil-gung (shrine of the seven concubines).

They also visited Deok-hye at SNU hospital.

While in Seoul, they stayed at the Bando Hotel, where they received visitors, and visited Sukmyeong, Jinmyeong, and Yangjong high schools (first photo below), which were all established by his grandmother, Lady Om, ca. 1900, and visited the YMCA on Jongno (second photo below), and took a look at Walker Hill. They then flew to Japan June 23 after their five-day visit, but not before stating that Yi Eun’s health was improving and he might be able to visit soon.

(Both photos are from here.)

1963.11.22 Prince Yi Eun finally returned to Korea from Japan. He, Yi Bangja, Yi Gu, and Julia all flew to Seoul from Japan (after Emperor Hirohito held a dinner for Yi Eun's family). Yi Eun was taken in an ambulance directly to St. Mary’s Hospital.

(From the Korea Times)

Prince Yi Eun’s motorcade passing over the Han River Bridge:

Prince Yi Eun’s motorcade driving into St. Mary’s Hospital grounds cheered by students from Sukmyeong and Jinmyeong Girls’ High Schools (founded by his mother).

At St. Mary’s Hospital Yi Gu and Yi Bang-ja talked to the press. (Both photos from the Korea Times.)

1963.11.23 Prince Yi Gu, Princess Yi Bangja, and Yi Su-gil at Changdeok Palace (just west of the Nakseondae compound).

Queen Yun died in 1966 (I love the photo at far right):

Yi Eun remained bedridden for the rest of his life.

(Korea Times, June 13, 1971)

 Yi Eun died in 1970.

Above is a photo of Julia Yi and Yi Bang-ja together. According to Peter, they had a professional relationship: Yi Bang-ja fashioned ceramics, pottery, and cloisonee and Julia designed and produced children’s clothing and accessories. They had a shop selling these together, and they donated 100% of their profits to charity. At first they were in the lobby of the Tokyu Hotel (beside Namdaemun) until Yi Bang-ja did not feel well enough to sit in a tiny corner of the hotel lobby in her cramped shop. After that, Julia continued on alone in the Hyatt Hotel basement shopping restaurant arcade. Several long-standing members of the RAS have told me they knew Julia - she was active in the RAS and often invited people over for dinner; one person referred to her "cantankerous eccentricity." She and Yi Gu never had children but adopted a Korean daughter.

Julia and Yi Gu separated in the mid-1970s and divorced in 1982. Princess Deok-hye and Yi Bang-ja died within nine days of each other in April 1989, Yi Gu died in 2005 in Tokyo, and Julia died in 2017 in Hawaii (she stayed in Korea until 1995).

A photo from the Korea Herald of Peter Bartholomew lighting incense at Yi Bang-ja's funeral. 

Something Peter highlighted for me, as only he could with his knowledge of the Palaces' history, was the story of a building that is now gone. Yi Eun's family lived in Seohaenggak, which had been refurbished and prepared for Prince Yi Eun’s family.

Here is a good colour photo of Seohaenggak that Peter sent me (I'm not sure of the source) [Update: JiHoon Suk has let me know that it's his photo]:

Here is another colour photo of Seohaenggak that Peter sent me that shows the laneway approaching the north end of the building; this lane no longer exists (photo source unknown, taken in 1989 during the funeral of either Princess Deok-hye or Yi Bang-ja).

Here is a view of it sent to me by Peter that shows the Nakseondae building (built 1847) with the east wall of Seohaenggak visible on the left; the two buildings are connected by the passageway with the green metal roof.

Seohaenggak no longer exists; according to Peter, it was demolished in 1995. Compare this present Kakao map view of Nakseondae - a new wing now stands where Seohaenggak once did, and the greenery has been removed..

This photo shows, at top left, the pavilion that still stands behind the Nakseondae building today:

The pavilion can be seen here, and gives a sense of the empty space (and new wing of Nakseondae) that now exists where Seohaenggak once did.

Here's an altered Kakao map showing the approximate location of Seohaenggak (I'm not sure of its dimensions), as well as the dotted lines showing where the now absent lane once stood.

Certainly on past trips to Changdeok Palace no palace guides ever mentioned the fact that the last people to live in Nakseonjae were Japanese and American princesses, though considering a popular film was made about Deok-hye several years ago, it's possible interest in the returned royals increased somewhat (though I doubt it). Peter shook his head in disbelief at the fact that a tour guide he talked to had no idea Seohaenggak had ever existed ("then why is there a terraced garden next to an empty space?"), so I made sure to include it above. 

It is to Peter that I dedicate this post - I likely wouldn't have gotten interested in the topic, and certainly would never have learned so much about it, if not for Peter telling his stories and sharing information with me. (To be honest, what is above just scratches the surface of the materials he shared.)

For more on Peter, see Robert Neff's obituary here.

Next Tuesday, July 13, the Royal Asiatic Society will host an online lecture by Seulkee Nahm and Dr. Cameron Pyke about Yi Bang-ja’s social welfare work in Korea. 

As well, the RAS has copies of “The World is One: Princess Yi Pang Ja's Autobiography” available for sale.