Tuesday, May 14, 2019

Vietnamese refugees arrived in Busan 44 years ago today

Today is the 44th anniversary of the arrival of Vietnamese refugees in Busan at the end of the Vietnam War. Last July I wrote an article about their arrival and their stay at a refugee camp in Busan for the Korea Times. The article was accompanied by a post here and greatly expanded on and published at Sino-NK last December.

As I've gone through magazines from 1975, I've come across more photos and information about the refugees. I've also been contacted by a number of refugees who have been happy to share their stories and photos with me. Below are a some of the photos I've come across in the media.

These are from the Korean government history site, www.ehistory.go.kr:

 One of the LSTs arrives in Busan May 13. From here.

Refugees from the Twin Dragon, a cargo ship which picked up refugees and arrived in Busan May 23, arriving at the Refugee camp in Busan. From here

As well, a video of the camp and the Twin Dragon's arrival can be seen here.

The following photos are from the Weekly Joongang, May 25, 1975, page 27:


A Korean husband and Vietnamese wife reunite at the camp. 

A store and post office at the camp. 

A Korean-Vietnamese child tries on a hanbok. 

Children playing. I sent this to a woman who contacted me and she told me she is in the photo, and that refugees from her LST wore blue track suits; those from the other LST wore red.

The following photos are from the Weekly Kyonghyang, May 25, 1975, pages 3-4, 18-21.


Disembarking. Note the camera. 

At right, children aboard a bus taking them to the camp. 

 First breakfast.

A sleeping area.

Children so happy while riding on tricycles that "the smell of gunpowder and the sadness of losing their country cannot be found." 

The caption says this is the only Vietnamese man, Korean woman couple.

I'm sure more photos will turn up, and hopefully before too long I can share some of the refugees' stories.



Tuesday, May 07, 2019

Censoring children's comics and the role of newspaper cartoons as critics in the 1960s and 70s

My latest article for the Korea Times, about comic book reading rooms and the censorship of comic books in the 1960s and early 1970s can be found here. Perhaps things have changed very recently, but two years ago when I tried to find academic articles on this topic, I found nothing in either Korean or English, though I imagine there must be something in Korean somewhere. I had previously thought the crackdown on comic books was more a product of the Yusin (1972-79) era, but discovered that was not the case. The pertinent photos I was able to discover in my Korea Times archive are posted in the Korea Times article; this one is certainly memorable:

"Let's burn bad comics." (Korea Times, Feb. 4, 1972)

This particular bonfire occurred at the elementary school attended by Jeong Byeong-seop, the 12-year-old boy who hung himself in imitation of a comic book character in early 1972.

In the aftermath of his death, Police in Seoul seized 20,400 "bad comics"; below is a photo of 8,600 seized by Dongdaemun Police Station:


Even more memorable is this video taken at the time:



Also in my research I've come across newspaper cartoons' take on political and cultural events. One event that was well-covered the first crackdown on long hair on men in August 1970. Of the half-dozen cartoons I've found, Kobau is the most memorable (published August 29, 1970 in the Donga Ilbo):

"We're cracking down on all the Korean hippies."  

"Men who are imitating women will have their hair cut right now."
"Dad, I was brought in too."
"What?! It's my daughter!"

(One of the many criticisms of this initial hair crackdown was that the standards for determining what constituted "long hair" were so vague as to be meaningless, though the cartoonist in this case is probably focused more on a 'they look like girls' joke than anything else.

For more on Kobau and other newspaper cartoons of the time, see the rather informative Korea Times article from October 1970 I uploaded here.

Kobau was also featured a great deal in the cartoons US ambassador Philip Habib sent in a cable to the State Department in March 1973. This came just months after the advent of the dictatorial Yusin constitution, and according to Habib they were about the only public source of criticism, mild as it was, of government policy at that time. Habib's cable, which was part of  a collection of such cables at the National Assembly Library website, can be read here.

I know of one person who was doing their PhD dissertation on newspaper cartoons from this time (particularly Kobau and its cartoonist, Kim Song-hwan). Considering newspaper cartoonists' role as critics at that time, as well as the efforts the government made to control children's comic books (as well as the popularity of webtoons in Korea today), the story of the comics industry from the 1950s to the 1980s deserves more attention.

Sunday, April 21, 2019

Of pontoon trains, comfort concerts, and headers

There was an interesting article in the Korea Times the other day by Amanda Price titled "The Japanese who fought for Korea's freedom." It details a number of Japanese academics and other figures who opposed Japan's imperial expansion into Korea. It's well worth reading, though one photo - posted below in its original form - raised my eyebrows, since it was incorrectly captioned "Japanese soldiers carried alarming amounts of ammunition through The Independence Gates." I was already familiar with this photo, having posted it here before (13 years ago), but I had also recently come across it in its originally-published form in Colliers magazine (issues from the time of the Russo Japanese War can be found here). It was neither taken in Seoul, nor was it of ammunition. Below is the photo and its original caption:


A JAPANESE PONTOON TRAIN MOVING TOWARD THE YALU FROM PING-YANG
The floats, built in sections, were carried by one pack-train of the engineers' column, the beams and flooring by another. Before the war, the Japanese Intelligence Office sent skilled engineers, disguised as coolies, through Korea and Manchuria to make detailed measurements of the width, depth, current, and tidal force of every stream which an invading army might have to cross. The Yalu was the most important river to be surveyed in this way, and the data were used to construct, at Hiroshima, complete pontoon bridges for the crossing, so that the material was ready to be carried with the army when the advance began. In brief, the Japanese prepared the Yalu crossing to measure, months beforehand, and when the bridges were needed they were flung into position without the slightest waste of time, labor, or transport.

I also decided to change this blog's header for the first time in a decade or more (from this image I took 12 years ago of apartments going up south of Magok Station) to this one, from the August 3, 1975 issue of Sunday Seoul. After the promulgation of Emergency Decree 9 by Park Chung-hee in May 1975, this entertainment magazine - little different from ones you would find today - suddenly began publishing photos of "comfort concerts" held for Korean troops that it had clearly been pressured (if not outright ordered) to organize. (The next issue mentioned guitarist / singer / songwriter Shin Joong-hyun and his band the Yeopjeons were going to dress up more in the future after their hit song Mi-in (beautiful woman) had been one of 130 songs banned in June and July as part of the government's crackdown on decadence.) All in all, the image represents the militarization of almost every aspect of life under Park's Yusin regime.


My first header was of a branch of a cherry blossom tree. The other day I was on Gaehwasan, which overlooks Gimpo Airport, and saw this stand of cherry blossom trees just outside the airport, and quite close to Gaehwa Station. It took a moment before I realized it must be a nursery for cherry blossoms. I imagine it would be worth a visit. Perhaps next year.


Friday, April 05, 2019

Gungsan Tunnel History Exhibition Hall

In 2008 the city of Seoul decided to act on stories told by local residents that the Japanese military had a tunnel dug under Gungsan, near Yancheon Hyanggyo Station (Line 9), during World War II. The tunnel was discovered and plans were made to turn it into a tourist attraction with its alcoves being used as various exhibition spaces. In 2010, however large rocks fell from the roof as construction proceeded and after examination it was decided not to proceed with this plan for safety reasons, and the project stalled for years. A smaller plan was enacted in which its entrance would be turned into an exhibition space, that allowed for a glimpse of the tunnel, and in May 2018 it opened to the public.

The Gungsan tunnel was dug by Koreans mobilized in patriotic service corps in the 1940s during the Pacific War. It was 3 meters underground, 70 meters long, and 2 meters in diameter. It was used to store weapons, ammunition and other war materials, and could also be used as an air raid shelter. The main military outpost in the area was Gimpo Airbase. A small hill near the tunnel known as Seonyubong was demolished to provide stone for the construction of Gimpo Airbase in the late 1930s.





I visited the exhibition hall last weekend and took the above photos. It’s open from 10-4 every day except Monday, and though the display material is in Korean the volunteer when I was there spoke English well. Seeing as you can't actually go into the tunnel, it might not be worth a visit for the tunnel alone, but it’s right behind the Gyeomjae Jeong Seon Museum, an art museum dedicated to Jeong Seon, who was served as the magistrate of the Yangcheon Prefecture in the 1740s (but who may be more familiar for the image on the back of the 1000 won bill). Yangcheon Hyanggyo, Seoul's only remaining Confucian school and shrine, is also just around the corner, but is closed until May for construction. The newly-opened Seoul Botanical Garden is also nearby in Magok-dong, and is free until May.

I’ll be leading a tour for the Royal Asiatic Society to the Gungsan area and Gaehwasan (near Gimpo Airport) taking in both museums, Yangcheon Confucian Shrine, temples, tombs, Korean War memorials, and spring flowers next Saturday, April 13. For more information about the tour, see here.

Wednesday, April 03, 2019

A look at Arbor Day

My latest Korea Times story is about the long-lost holiday, Arbor Day / 식목일. For decades April 5 was a day off so students, citizens and civil servants could plant trees. One of the unsung accomplishments achieved (mostly) under Park Chung-hee's rule was the conversion of Korea's bare mountains into thriving forests that are today a haven for hikers - something now taken for granted.

For a decade or so Park led a ceremony on that day and was photographed planting trees, often with his children. He and others made lofty speeches, such as when, in 1968, "Seoul Mayor Kim Hyun-ok...emphasized planting trees as a sacred task for the modernization of the Republic and this generation’s sublime duty for the welfare of our descendants."

Here are a few photos and cartoons drawn from the Korea Times:

Korea Times, April 6, 1968. 

Korea Times, April 6, 1965.

Korea Times, April 5, 1967. 

Korea Times, April 5, 1970. 


Tuesday, March 19, 2019

The Simpsons and Family Guy do Seoul

Sunday night, the 17th episode of The Simpsons' 30th season, "E My Sports," featured Bart becoming adept at esports and, in the last 6 minutes, going with the family to Seoul for an esports tournament. My thoughts on the episode were featured in this Korea Times article, along with those of David Mason (thanks to Jon Dunbar).

There are a few plays on words in the signs (in English), and a demonstration that there is some awareness of the Korean language, but other than that there's very little engagement with Korea. A few buildings appear, like the Lotte Tower below:


The 63 Building:


Namsan Tower:


And Jogyesa:


A subplot of the episode is Lisa's sudden desire to go to Korea too to go to Jogyesa because of their amazing sand mandalas. I was fairly certain that was not a thing you'd expect to find at Jogyesa, so it was nice to see David Mason confirm that.


The esports tournament takes place at what appears to be World Cup Stadium, and when things go awry this robot appears:


Considering Korea's plans to replace foreign English teachers with robots (one of the best inventions of 2010, said Time Magazine), this made me smile a little, but I'd imagine that's not what the writers were thinking of.


The reference below is to the fact that The Simpsons is animated in Korea.


As I noted in the article, "The Simpsons Animation and Casino is a rather lame joke, but recalls the 1992 episode Itchy & Scratchy: The Movie, where a news program reviewed the history of the animation Itchy & Scratchy and showed the studio where it was made in South Korea, which featured soldiers with bayonet-fixed rifles prodded animators in the back to make them work faster, a scene which angered The Simpson's Korean animators." Here's the scene from that episode:


The arrival of riot police at the end of the episode almost seems like a modern update to the above image, particularly considering Koreans tend not to riot at sports events.


As I noted in the article, the entire appearance of Seoul in the episode just felt shoehorned in. There's really no engagement with the place at all. It could have been anywhere.

For a far-more-engaged episode of TV, 10th episode of Family Guy's 14th season, "Candy, Quahog Marshmallow," which aired three years ago, was about a trip to Seoul taken after it's discovered the character Quagmire was once a Korean soap star. The plot can be found here:

Compared to the nondescript city scenes in The Simpsons, the following establishing shots are clearly recognizable as Seoul, Busan, Incheon Airport (despite the name change) and Gwanghwamun Plaza:





Unlike The Simpsons, there are no English language jokes shoehorned into the street scenes.


And despite that not being a makgeolli bottle, there's quite a bit of detail put into the restaurant shots...


... particularly with the walls (the beer ad is spot on):


There's a certain amount of engagement with the culture, beginning with the TV dramas which bring them to Seoul in the first place (to find the last episode of the series they were watching that their friend starred in):


The main character gets some plastic surgery done:


They watch Sistar's "Touch My Body" and are quite enamoured with Kpop for some reason.



Then they make their own Kpop video, which, while pretty dumb, is still a serviceable parody and shows a level of engagement with the actual culture, unlike The Simpsons.


There are some duds, of course. Quagmire reunites with his former costar and rekindles their romance, but decides to leave when he finds out the entire extended family lives with them. Needless to say, you'd be very, very hard-pressed to find such a thing in Seoul.


The less said about Ashton Kutcher's Pet Engine Cooking Bag ad (so you can cook dogs under the hood while you drive), the better, but there is a level of detail here that balances it out a bit (the dog on the box saying "맛있는!" and the 1000 won 할인).


And, unlike The Simpsons, there may be a joke here few would get: The bus that runs down the character in the TV drama is #588. I've read that in decades past the route for bus 588 took it past the Cheongnyangni red light district, which inspired its nickname, '588.'


It's easy enough to see, despite some cluelessness and a dog meat joke, that Family Guy engaged with Korea far more than The Simpsons, and I say this as someone who has never liked Family Guy. Those interested in the decline of the once-great Simpsons are recommended to watch the Youtube video "The Fall of The Simpsons: How it Happened."

Articles in the Korea Times about Yeontan and a 1960 rift between the ROK and USFK

Last week my latest Korea Times article came out, in which I wrote about the use of yeontan, or coal briquettes, to heat houses from the 1950s to the 1980s and the dangers of carbon monoxide poisoning it posed. Some of this material appeared in an earlier post I wrote in which I linked this danger of poisoning and the belief in fan death. More on yeontan can be read here (click to the next message to read the conversation).

My article from January, "Forced haircuts in 1960 opened rift in Korea-U.S. alliance," was about the shaving of the heads of prostitutes found sneaking onto a US military base and how this influenced the book P.S. Wilkinson. While I was glad the "gnawing raw bones" part was included, the last few paragraphs got chopped up a bit. This was the original ending:
Five years later, C.D.B. Bryan, who was serving with USFK in 1960 as an “Ivy League” ROTC lieutenant,” recreated the incident in his Harper Prize-winning first novel, P. S. Wilkinson. His autobiographical protagonist, “Rutena Wirkenson” (as the Koreans call him) hates being stuck in Korea, a “godforsaken place,” and hates army life even more because he is plagued by incompetent superiors who happen to enjoy Korea for only one reason. (When one says, “I didn’t realize what a bad lay my wife was until I got over here,” Wilkinson, in disgust, replies, “Oh, hell, Major, your wife isn’t so bad.”)

Confronted with break-ins, Major Sturgess, who replaced his houseboy with a young woman, asks “Where else in the world do whores cut through barbed-wire fences to climb into the sack with the GIs?” and orders that the next woman to be caught have her head shaved. In his recreation of the event, however, Bryan has his hero bravely refuse to follow the order.

In April 1965, James Wade reviewed the book in the Korea Times, criticizing it for its “fake idealism,” “stilted dialogue, wilted prose,” and lines such as “This is the foulest, goddamndest country I’ve ever seen!” and “It’s the only thing - this availability of women - that makes Korea bearable.”

He also criticized the “incredible stagey scene” where Wilkinson “lectures the C.O. with insufferable primness on the immorality of his head-shaving order” As Wade put it, “His self-righteous hypocrisy…put this reader on the army’s side for the first time in memory, head-shaving and all.”
I've been doing quite a bit of research on 1970s youth culture recently by researching weekly magazines from the time. I hope to post here more often and include some of the material I've found (such as advertisements and music charts of the time), as well as to complete some long-unfinished posts and series.